Thursday, January 1, 2015

Influences

When I was a kid growing up, there were a lot of conflicts. There was the Vietnam War.

This war made no sense. One of my heroes was Muhammed Ali. A lot of people still called him Cassius Clay and said his fights were fixed, but I was impressed that he knocked Sonny Liston out after only 61 seconds of the 1st round.

People said he was a coward for resisting the draft. But I thought he was pretty macho. Heavyweight champ Muhammed Ali said,

“Why should they ask me to put on a uniform and go 10,000 miles from home and drop bombs and bullets on Brown people in Vietnam while so-called Negro people in Louisville are treated like dogs and denied simple human rights? No I’m not going 10,000 miles from home to help murder and burn another poor nation simply to continue the domination of white slave masters of the darker people the world over. This is the day when such evils must come to an end. I have been warned that to take such a stand would cost me millions of dollars. But I have said it once and I will say it again. The real enemy of my people is here. I will not disgrace my religion, my people or myself by becoming a tool to enslave those who are fighting for their own justice, freedom and equality. If I thought the war was going to bring freedom and equality to 22 million of my people they wouldn’t have to draft me, I’d join tomorrow. I have nothing to lose by standing up for my beliefs. So I’ll go to jail, so what? We’ve been in jail for 400 years.”


Of course, he was silenced and stripped of his heavyweight title. People marched against the Vietnam War because it was wrong and stupid and a waste of human life. The soldiers who went there to strafe women and children with machine gun bullets from helicopters were not heroes. They were mostly scared teenagers trying to be men. They came home from war scarred for life.
My generation protested against the war.  Right wing preachers thundered from the pulpits that we had to support the war. 
We were antipatriotic, unhshaven long-haired hippies. The war continued.
The soldiers marched on. And the murder of innocent people went on.
I Could see that Muhammed Ali was right. Black people in the United States also wanted their rights. While the Vietnam War went on, Martin Luther King marched to Washington D.C.
He said that we could bring change nonviolently by following the principles of Gandhi.
Gandhi speaking before a huge crowd
Gandhi preaching nonviolence
Meanwhile in high school, my most interesting class was the language class: Russian. I fell in love with a girl in the class and we read Tolstoy together. We went to the movies and saw Dr. Zhivago and read Tolstoy. I found that Gandhi was really a follower of Tolstoy, who had read Thoreau on Civil Disobedience. Thoreau was a real hippy before it was cool. 

He wrote a book about getting back to nature and living close to the earth, called Walden. Everyone was reading Walden. It was about peace. 

Thoreau got his ideas from the Bhagavad-gita. So did Gandhi. I began thinking, "How is it possible that my literary hero, Tolstoy and my political hero, Gandhi, got their ideas from the same book? What is this Bhagavad-gita?"
In Thoreau's seminal book on getting back to nature, he wrote, "In the morning I bathe my intellect in the stupendous and cosmogonal philosophy of the Bhagavad-Gita, in comparison with which our modern world and its literature seems puny and trivial."
Lines began to cross. I was against the war in Vietnam and would go to the protests with some of my friends. Everyone talked about nonviolence and Gandhi. Gandhi read the Bhagavad-gita. I studied Russian with my girlfriend. We went to see the 7-hour film version of War and Peace with Russian subtitles. Tolstoy read Bhagavad-gita. Some of my friends were hippies. They wanted to get back to the land. Leave the corrupt world of mega-cities like Los Angeles. Be natural. They read Thoreau. And Thoreau read Bhagavad-gita. Where could I find a copy? I had to get my hands on this book and try to understand what these great thinkers were reading.

Wednesday, December 31, 2014

Happy New Year!

Our work for the year over, it was time for the annual New Year's Party. For the Russians, New Year is bigger than Christmas, so we celebrated with good food, with song and dance. So we rounded up the usual suspects.
Our resident Hungarian gyspsy violinist AnuKrishna found her fiddle and gave us some Brahms, a bit of Hungarian Rhapsody, and a song composed by the King of Thailand in the best style of Django Reinhardt and Stefan Grappelli...

With Atmarama on guitar doing his best Django Reinhardt impression....
We relaxed on the veranda to the musical stylings as the children played.
Soon I was pressed into service with my Ukulele. Let's get this party started.



With mridanga drums, guitar, gypsy violin, and ukulele we began to rock the beat.
Pretty soon we got the people dancing.
And so, we brought in the New Year with joy and dance, and left 2014 for the history books. Happy New Year everyone. Hope 2015 is a good one. That's all for now. Mahayogi.

Planning the Attack

As the project begins to take shape we have endless meetings about scripts, locations, and how to get there. We decided to take a break from all the work.

A charming Thai restaurant amid the banyan trees was just the ticket.

The comforting warmth of a cup of green tea...

A rustic garden...

Fresh organic food prepared by expert chefs...


And we were ready to go over the maps again and plan our attack. I'm not sitting at the table, but you can see my hat. 


Pyramids

San Miguel de Allende, Mexico

In my travels throughout Mexico and Guatemala, I have been witness to the miracles of stone that were the pyramids of the ancient Mayan and Aztec civilizations. All of Meso-America,the area once inhabited by Mayans and Aztecs, is an archeological zone. Dig anywhere and  you will find artefacts of the lost civilizations that once dominated the North American continent. Close to my home in San Miguel, for example is the pyramid of La Cañada de la Virgen.
La Cañada de la Virgen

This small pyramid was recently discovered about 15 years ago. A German couple bought a sizeable piece of land in the desert surrounding San Miguel. They noticed some mounds on the property and did a bit of excavation. What they found astounded them. They brought their findings to the attention of the Mexican government, who expropriated the land as a National Treasure. The litigation went on for some time.  After 4 or 5 years of archeological excavations they cleaned up the site, did a bit of restoration and opened the La Cañada pyramid for tourism. 
It was built somewhere before the 10th century, maybe as early as 500 B.C. It was abandoned somewhere in the 11th Century. Carbon dating was used on the burial grounds where human remains where interred, so these dates are pretty accurate. Of course, Mexican pyramids are nothing new. The biggest is probably in Teotihuacan.
Pyramid of the Sun, Teotihuacan, Mexico
And there are many such examples throughout the region. They all share certain characteristics: They were built between the 8th and 14th Centuries, were used for astronomical observations, were involved in the worship of the Sun, share a certain architecture nomenclature, and were used in religious ceremonies and rituals. One of the prominent themes in the stone carvings is that of the serpent, the snake, and the plumed serpent, or snake-bird Quetzalcoatl.  The archeology of ancient Mexico is well understood and documented along rigorous 21st Century academic lines. Now let´s look at Angkor.

Cambodian Pyramid at Koh Ker, 62 km NE of Angkor
The pyramids of Angkor were built between the 9th and 11th centuries, were used as observatories to calculate the positions of the stars, and follow a very similar architectural nomenclature. This is a stepped pyramid, similar to the ones found in Mexico.
Mexican Pyramid

  If you look at these photos in an album of pyramid photos, it is practically impossible to tell them apart. Not only do they share architectural characteristics and functions, the statuary of the Khmer pyramids also use the motifs of snake-birds and serpents. The Khmer carvings ha, ve a far more sophisticated mythology: The snakes are Nagas, and their cousin the Man-bird is Garuda, following the legends of the ancient Indian Puranas. But the parallels are obvious.
Koh Ker, Cambodia

Koh Ker, another view

Pyramids at Palenque, Mexico
Curiously, while the pyramids of the Khmer Empire date back over a thousand years, the archeological studies done there are not up to the standard set in the investigations of Mexican ruins. This is because, while American and Mexican archeologists and their students have done exhaustive work at the known sites for more than a century, conflict, colonialism, and war have retarded similar efforts in Cambodia. Here's a very scholarly view of how these civilizations could have been related. https://www.youtube.com/watch?v=hBB__YXYpOc

The natural question raised by anyone who has seen both the pyramids in Mexico and the pyramids in Cambodia is, "How are they related?" This is one of the questions our trip means to probe.
What are the parallels between these ancient civilizations? If any communication took place between these ancient peoples, then what was the nature of their cultural diffusion and integration. These are some of the ideas I'm interested in exploring in our adventure to Angkor. Stay tuned.

Tuesday, December 30, 2014

A Wild Ride

Well, folks, it's been a wild ride. I'm still in Thailand trying to put together the movie. Yesterday we met with film crew members, camera-men, director of cinematography, and story-board artist. Together we rewrote the script a few times and then tore everything up and decided to use the script we have. I took notes feverishly, jumped into the argument a few times and then stood back while everyone went on in Russian. It was a far cry from the peace and quiet of the meditative atmosphere in the ashrama, but the give and take was a sincere exchange of ideas.

In "The Devil's Guide to Hollywood, Screenwriter as God," http://www.amazon.com/The-Devils-Guide-Hollywood-Screenwriter/dp/B001O9CAJA  Jose Esterhaz of Fatal Attraction fame says that the first rule in Hollywood is, "No one reads the script." I can see the meaning of his advice. It's not as easy as it seems.

After continuously talking about writing for the last 3 days, I'm trying to get down to business and come up with a new revised edition of the script. I have someone who assured me that they will read it. I'm crossing my fingers.

Meanwhile the Russians are gearing up for their annual New Year's Party. It seems in Russia, New Year is bigger than Christmas. We had a preliminary celebration with the members of the FullDome crew. Here's a photo.

Happy New Year from FullDome
It's difficult being away from family for such a long time. I miss my wife and wish she could be here. So if you're reading this, Aurora, Happy New Year to you. I love you, Mike.
With my Sweety
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