Help Support the Blog

Wednesday, January 3, 2018

Meaning in the Mahabharata

Meaning in the Mahabharata:

Quick Video Tutorial

by Michael Dolan/B.V. Mahayogi


Here's a short 7:59 minute video on Meaning in the Mahābhārata. With so many stories and different ideas it's easy to get confused. What does it all mean? Check out @MAHABHARATAGODS on twitter for more.




Here's a transcript of the video.
Meaning in the Mahābhārata


The Story of the Mahabharata has enlivened the hearts and minds of the people of India for over two thousand years. It is not an exclusively religious text. It contains the moral and ethical law that has guided life on the subcontinent, but it’s morality is not as rigid as it appears to be at first glance. The spiritual and ethical precepts are woven into the ancient epic, but are flexible enough to have withstood centuries of changing attitudes. Since the first recital of the Mahabharata, India has been conquered many times. The Vedic Period gave way the Buddhists who did their best to eradicate the culture of the Brahmins. Buddhism ceased to form part of the popular culture of India after the sixth century. But the stories of the Mahabharata were popular before and after Buddhism.
With the invasion of the moguls, sometime after the 11th century, the proponents of Islam destroyed many Hindu traditions. But the Mahabharata lived on. The influence of the British began to be felt as early as the 17th century, but the 200 year British Raj consolidated power in the 18th century and ruled up to the Gandhi independence movement of the 20th century. These British rulers were determined to stamp out what they saw as superstition. And as had the Buddhists and Muslims before them, the British In their Christian zeal did everything in their power to obliterate the memory of the Hindu Mahabahrata.
And yet, the story lives on. One we ask then, why? What particular charm does this book hold over the people of India that despite invasion by foreigners and attempts by different kinds of missionaries, the book lives on?
The poet Shelley once remarked that the sweetest songs sing of the saddest things. The Mahabharata is not a joyful song. This ancient history of India is more than a lament. It is deeply tragic. The Mahabahrata sings the sad song of the Kurus, whose ambition ends in disaster. And it sings the tragic raga of the Pandava brothers.
While the Pandavas are ever optimistic, they are orphans. As warriors they are honorable; they never strike the first blow. Their youth is ruined in wandering and waiting to be kings. Their dream is never realized; in the end they gain the kingdom, but lose their relatives, their families, and even their children. Their hopes are shattered by war. The war takes the sons of Draupadī and the son of Arjuna. The internecine war between brothers and cousins takes not only their cousins but their Guru and her grandfather as well.
And if that were not sufficient tragedy, when Arjuna and his brothers die they see their enemies exalted in heaven, while the Pandavas themselves go to hell.
And with this tragic dénouement, one must ask what is their saving grace? The deeper meaning of the book leads us to a spiritual understanding.
The friends of Krishna may lose the world and kingdom, but they gain divine love. They may lose heaven, but the mundane heaven of their enemies is part of the system of repeated birth and death. Having enjoyed heaven, their enemies will be born on earth, suffer their karma, and even go to hell. The suffering of the Pandavas has ended. They may have lost the worldly heaven of the gods, but their eternal souls are redeemed in the supreme abode of Krishna. After all, this is His promise in the Bhagavad-Gita.
The rupture of their loss is redeemed by the radiance of their love for Krishna.
This is the true and inner meaning of the Mahābhārata. Western and even Hindu scholars are often mystified by this strange and wonderful book. if it is only a motley collection of ancient myths about heroes who fight and heroines who love then there are many things which don’t withstand inspection. If the subject of Mahābhārata is Dharma, then why are so many adharmic ideas also promoted? They conclude that the book has been edited so many times and that so many theses have been interpolated over the centuries, that it has lost its original meaning. Many scholars have attempted to restore the present version back to an earlier text, one that is more “heroic” and in keeping with the classical texts of Greece such as the Iliad and the Odyssey. They miss the point. There is a very simple and unified principal running throughout the entire work that is Krishna bhakti. those who are antipathetic to Krishna bhakti would exercise Krishna from the work. They would make him the villain, exalting the position of Duryodhana his friend Karna to that of hero. But this thesis makes a muddle of the book. in our coming talks we can analyze this point in greater depth.
But a true thinker must come to the inevitable conclusion: the greatest epic poem ever produced by humanity is the Mahāhbārata.
And its greatest theme, it’s purport, the uniting principal and conclusion of the Mahābhārata is that divine love for Sri Krishna reality the beautiful is the supreme goal of life and the highest attainment of heroes.

Wednesday, December 27, 2017

Peace



Prayer for Peace




ॐ आसतो मा सद्-गमय ।
टमसो मा ज्योतिर्-जमय ।
मृत्योर्-मा आम्र्तम् गमय ।
ॐ षान्तिह् षान्तिह् षान्तिह् ॥

oṁ āsato mā sad-gamaya |
ṭamaso mā jyotir-jamaya |
mṛtyor-mā āmrtam gamaya |
oṁ ṣāntih ṣāntih ṣāntih ||


Oṁ
O Lord:
Lead us not to temptation.
Never to  ignorance, but always towards knowledge.
Lead us not into the darkness but towards the Light.
Not to death but to immortality.
Peace, Peace, Peace.
Oṁ


Monday, December 18, 2017

Jiva Goswami

Lives of the Saints



I was asked recently by an old friend to provide some background on Jīva Goswāmī for the celebration of his divine appearance day. One often writes about a subject in order to discover more about it and learn what one doesn’t know. This article is an attempt to shine some light on Gaudiya Vaishnava history. To that end, I have gathered information in this article from different sources and compiled it in the hope that it may be useful.
Jiva Goswāmī
Narottama Dās Ṭhākura has written:
শ্রী-রূপ সনাতন ভট্ট-রঘুনাথ শ্রী-জীৱ গোপাল-ভট্ট দাস-রঘুনাথ
এই ছয্ গোসাইর্ কোরি চরণ ৱন্দন্ জাহা হোইতে বিঘ্ন-নাশ্ অভীষ্ট-পূরণ
এই ছয্ গোসাই জার্—মুই তার্ দাস্ তা-সবার পদ-রেণু মোর পঞ্চ-গ্রাস্
তাদের চরণ-সেবি-ভক্ত-সনে বাস্ জনমে জনমে হোয্ এই অভিলাষ

śrī-rūpa sanātana bhaṭṭa-raghunātha
śrī-jīva gopāla-bhaṭṭa dāsa-raghunātha
ei chay gosāir kori caraṇa vandan jāhā hoite bighna-nāś abhīṣṭa-pūraṇa ei chay gosāi jār—mui tār dās tā-sabāra pada-reṇu mora pañca-grās
tādera caraṇa-sebi-bhakta-sane bās janame janame hoy ei abhilāṣa
All glories to Srila Rupa Goswami, Sanatana Goswami and Raghunatha Bhatta Goswami, to Srila Jiva Goswami, Gopala Bhatta Goswami, and Raghunatha Dasa Goswami! I bow to the feet of these six Goswamis. By their grace, our obstacles can be destroyed and all desires are fulfilled. I am the servant of these six Goswamis. The dust of their lotus feet is my fivefold subsistence. To be a servant of their lotus feet and to reside in the company of devotees--this is my aspiration birth after birth.”
500 years ago the avatar of this age made himself known in Bengal. It is said that in the age of darkness known as Kali-yuga the holy name is our only salvation. Śrī Caitanya Mahāprabhu appeared like a golden volcano of divine love. Śrīdhara Mahārāja once mused that there must be a relationship between the words “love and lava.”
“Is lava love?” he asked, since love gives life but also burns the heart. Śrī Caitanya Mahāprabhu burned with the lava of divine love. He was so illuminated by divine love that those who knew him saw him surrounded a golden halo or effulgence. Mahāprabhu appeared to distribute the sweetness of the highest divine love, embodied in the holy name of Krishna. See http://www.scsmath.com/books/Golden_Volcano.pdf
While he was famous as a scholar during his lifetime, Mahāprabhu accepted humility as a primordial religious principle and so avoided the fame of a poet. Unfortunately, he left behind few written works. Of these the only surviving is his Śikṣāṣtakam, a poetic text of only 8 Ślokas or Sanskrit verses.
Where then can we go to learn more about his teachings? While Śrī Caitanya may not have written volumes of philosophical works, he did instruct a small group of confidential disciples among whome were the Six Goswāmīs of Vrindavan, celebrated above by Narottama, the greatest proponents of His school.
Each of these Goswāmīs wrote prolifically. Among their works we may find exquisite poetry, esoteric dramatic works, and songs of worship. Each of the Goswāmīs made a special contribution to the sacred literature of the Gaudiya Vaishnavas. Sanātana Goswāmī not only summarizes the essence of the Bhāgavatam in his Bṛhād-Bhāgavatamṛtam; he also shows how the soul ascends through the different levels of consciousness and finds shelter in the supreme abode of the Lord. Sanātana Goswāmī’s Hari-bhakti-vilāsa is the authority for Vaishnava temple worship and forms the basis for all the rituals of Krishna devotees: from the “mass” called “aroti” to initiation ceremonies and other sacred rites and sacraments. He is considered to have purified the pancharatrik-viddhi or rituals, rules, and regulations practiced by devotees.
Among other great works, Sanātana’s brother Rūpa Goswāmī gives us the ontology of divine love in his Bhakti-rasāmṛta-sindhu. His unique contribution makes him the spiritual head of the school after Śrī Caitanya.
Sanātana and Rūpa wrote prolifically to establish and defend the school of Śrī Caitanya with their texts on practice and liturgy and inspirational works on divine love from viddhi-marga and sādhana-bhakti to rāga-marga and bhāva-bhakti.
Faith, of course, needs no reason. And yet, in this age of doubt, theologians of all schools have taken care to try to establish the core understandings of faith through a certain amount of logic--to “justify the ways of God to man” as Milton put it.
This more philosophical task--to explain logically the unique point of view of the sampradāya--fell to Jiva Goswāmī to work out.
For example: Gaudiya Vaishnavism is theistic: it accepts a personal deity. Personalism seems to contradict the Vedantic version. All the established schools of thought and spiritualism in India have traditionally explained their position with a commentary on the Vedanta-sutras. Vedanta is a deep reflection on spiritual reality. How does the school of Śrī Caitanya handle the ideas expressed in Vedanta? Does Śrī Caitanya reject Vedanta? To do so would be to live outside the traditional wisdom of India. Or does he have a particular way of adjusting the sutras; a philosophical justification of the Personal God?
The dominant school of Vedanta at the time was that of Shankar. But his view, while influential, is not unrivaled. Shankar tries to establish “one-ness” or “nondualism.” For Shankar, the world of temporary being is only an illusion. Only the soul really exists. In the eternal sense the element of matter falls away leaving us only soul energy which merges into Brahman--the divine ocean of spiritual light.
Many other schools have attempted to refute Shankar. For example there was Madhva of South India. Madhvācārya’s view is closer to the Cartesian mind-body problem where duality is absolute. For Madhva, God is God, soul is soul. Never the twain shall mix. He explains that there are three factors: God, the soul, and the world. He establishes “dualism” by holding that there are distinctions: God is not the world, God is not the soul. The soul is not the world, the soul is not God. Madhva is determined to demonstrate an eternal and absolute distinction between these ideas.
Another South Indian school is that of Rāmanuja. His “Vishishtadwaita-vada” allows for a certain overlap between potent and potency, between energetic and energy. His most famous analogy is that of the sun and its rays. The sun’s rays are not the sun--and they they are the sun’s energy. There is a one-ness of quality--and yet an important distinction. A ray of sunlight is never equal to the sun. In the same way, the soul--while an energetic emanation from the Divine--can never equal God Himself.
Ramānuja’s view has had much influence throughout India and even in the modern world. Rudolph Otto, the great German theologian, adopted much of Ramānuja’s theism in his defense of Christianity against the inroads made by Kant.
These two, Madhva and Ramanuja were really the most potent alternatives to the Vedantic philosophy of Shankara. And yet, while taking sannyāsa in the line of Madhva and showing sympathy for Ramanuja, Śrī Caitanya’s views are more subtle.
Caitanya Mahāprabhu developed a more flexible dualism, called “acintya-bhedābheda-vāda,” borrowing some elements from the mystical bheda-ābheda-vāda or dwaita-adwaita of Nimbarka, an ancient Vaishnava preceptor. Nimbarka argued for dualistic nondualism. The idea is that while a certain “one-ness” may be directly observable, this nondualism is not existential but phenomenal.
Śrī Caitanya adds the concept of acintya meaning “beyond comprehension.” Oddly enough this squares with much of twentieth century philosophical thought surrounding relativity and quantum physics. On one level we live in a world of Newtonian physics and Euclidean geometry. On a different level conscious observation seems to have an effect on reality. Is the world in the mind or is the mind in the world?
Berkeleyan idealism, the idea that only mind exists is extreme; so too is the materialist view that only matter exists. There must be some common ground, some room for flexibility between the reality that matter possesses certain qualities of consciousness and the notion that consciousness appears to be no more than an epiphenomenon of material causation.
Since Śrī Caitanya instructed his followers through the oral tradition of the guru-disciple relationship he left no written teachings on the subject. Sanātana and Rūpa Goswāmi’s writings deal more with the ontology of divine love. Who then would write a significant philosophical treatise defending the Vedantic views of the Gaudiya Vaishnava school?
Again, this duty fell to Jīva Goswāmī.
In his Laghu-toṣanī commentary Jīva Goswāmī gives some biographical information. One of his ancestors was a respectable brahmaṇa of Karṇāṭaka in South India named Sarvajña. Sarvajña was king of the region in 1381 AD. His learning was renowned and he was known as jagad-guru, or “universal teacher. Sarvajña’s son and successor was Aniruddha who became King in 1416. His sons were Rūpeśvara and Harihara. Harihara eventually succeeded Aniruddha through some political machinations, exiling his brother Rūpeśvara who was forced to leave Karṇāṭaka.
Rūpeśvara was well-learned in the scriptures and taught them to his son, Padmanābha who finally settled at Navahaṭṭa or Naihati in Bengal.
Padmanābha’s son was Mukunda who moved to Yesohar or Jessore in Bāklā Chandradwip Paragana.
His son was Kumaradeva. Among the many sons of Kumaradeva were Sanātana, Rūpa, and Vallabha, who is also known as Anupama. These three brother grew up and were educated in a village called Sakurma near the capital of Gauḍa, Bengal, and lived at the house of their maternal uncle after the passing of their father, Kumaradeva.
Of the three brothers, Sanātana was the oldest son of Kumaradeva. Rūpa was his second son and Vallabha was the youngest. According to Śrīla Bhaktisiddhānta Saraswati’s commentary on Śrī Caitanya Caritamṛta, Śrī Sanātana Goswāmī was born in 1488, while Rūpa Goswami was born 5 years later in 1493.
While “Sanātana” and “Rūpa” were their spiritual names given by Chaitanya Mahaprabhu to the two brothers when they later became his disciples, their former names are not conclusively known. Some say that their original names were Amara and Santosha respectively.
The brothers served as ministers to Hussain Shah, who was the ruler of Gauda or King of Bengal. At that time, Sanātana was appointed Revenue Officer or “Sākar Mallik” and was known by this name, where Rūpa was made “Dabir Khās” or private secretary to the king. Both Rūpa and Sanātana Goswāmī met with Śrī Caitanya and became his disciples. Unfortunately, Vallabha or Anupama never met Śrī Caitanya, but died tragically on the way to Jagannātha Pruī.
So it was that Jīva lost his father when very young. He had a tendency towards self-abnegation from early childhood. Jīva had personally met Nityānanda Prabhu at Nabadwip and by his mercy was instructed to go to Vrindaban. Jīva studied Sanskrit grammar, Smṛti and the six philosophical systems of India at Vārānāsī under the guidance of Madhusudana Vachaspati. He became erudite in all the scriptures and when he finished his studies went to Vrindaban, following the order of Nityānanda Prabhu.

In Vrindaban he studied the Bhāgavata and other scriptural works with his uncles, Rūpa and Sanātana, who trained him in the teachings of Śrī Caitanya Mahāprabhu.
In this way, Jīva Goswāmī soon became the deepest scholar of both the divine precepts of Śrī Caitanya and the devotional literature of the Goswāmis. He is considered the topmost authority on all doctrinal matters especially those concerning the theology of Caitanya Vaishnavism.
Later in life, when Jīva Goswāmī was an old man, he taught Śyāmananda Paṇḍita, Śrīnivāsa Ācārya, and Narottama Dās Ṭhakura who propagated the written works of Rūpa, Sanātana, and Jīva Goswāmī throught India.
Jīva Goswāmī was initiated by Rūpa Goswāmī. His work includes commentaries on Rūpa Goswāmi’s Bhakti-rasāmṛta-sindhu and Ujjvala-nīlamaṇi. At the request of Sanātana Goswāmī, Jīva Goswāmī revised his Bhagavat commentary called the Bṛhad-Vaiṣṇava-toṣaṇi. Both Rūpa and Sanātana Goswāmī had great regard for his enthusiasm, scholarship and realization.
Jīva Goswāmi’s defining master work is his “Six Sandarbhas.” According to Jiva Goswami, Gopala Bhatta Goswami had already done the preliminary work on the Six Sandarbhas but did not complete it. Jiva took the work of Gopala Bhatta and expanded it into six parts, systematically presenting the philosophy of Chaitanya Mahaprabhu and providing scriptural evidences in support of his views.
It was Sri Jiva Goswami's genius to clearly define the Six Topics of the Sandarbhas which are:
1. Bhagavat Sandarbha.
Here Jīva Goswāmi elaborates on the epistemology of Vaishavism as revealed in the Bhagavat Purana.
2. Krishna Sandarbha. https://theharekrishnamovement.files.wordpress.com/2014/09/sri-krishna-sandarbha-kusakratha.pdf
The second of the six famous “Sat-Sandarbhas” A logical and sastric establishment of bhakti unto Lord Sri Krishna by Srila Jiva Goswami A scriptural treatise the highest theistic truths on the nature, quality and pastimes of the Supreme Personality of Godhead, Reality the Beautiful, Śrī Kṛṣṇa. Here's a link to a translation: http://www.krishnapath.org/Library/Goswami-books/Jiva/Jiva_Goswami_Sri_Bhagavat_Sandarbha.pdf
3. Paramātmā Sandarbha:
Here Jīva Goswāmī expounds an elaborate essay on the nature of Paramātmā. The distinction between Absolute Reality’s manifestations as Paramātmā and Bhagavān is relatively unknown, even to specialists in the field of Vedānta. These two specific designations are often used synonymously to refer to a single aspect of the tattva. It was Śrī Jīva Gosvāmī’s genius to clearly define them and enumerate their characteristics and functions in detail. There is no other work in the entire gamut of Indian theological and philosophical literature that throws light on this subject so lucidly. A link to an English language translation follows for those interested in further understanding.
http://www.krishnapath.org/Library/Goswami-books/Jiva/Jiva_Goswami_Sri_Paramatma_Sandarbha.pdf

4. Tattva-Sandarbha: Of the Six Sandarbhas, Tattva Sandarbha is the smallest in size, but not in importance. As its name suggests, it discusses the Reality (tattva) that is the ultimate subject to be understood and realized. Tattva also means “essence,” and thus Tattva Sandarbha provides the essence of what is to be elaborated upon in the rest of the Sandarbhas. Thus, it serves as an introduction to them. Here's a link to a translation. http://www.krishnapath.org/Library/Goswami-books/Jiva/Jiva_Goswami_Sri_Tattva_Sandarbha.pdf
It may be said that Tattva Sandarbha lays the foundation for entry into the subject matter of Bhāgavata Purāṇa, a detailed analysis of which follows in the rest of the Sandarbhas. It does so particularly by providing the epistemological viewing frame through which Bhagavān is directly intuited, devotionally served, and established ultimately as the supreme object of divine love.
5. Bhakti-Sandarbha:
This work establishes the practice of bhakti or divine love as the highest theistic form of religion. Here's the link: http://www.gokulbhajan.com/all-books/books-gaudiya/Sri%20Bhakti%20Sandarbha.pdf
6. Priti-Sandarbha:
Jīva Goswāmī’s final treatise, the Priti Sandarbha describes the highest kind of divine love.
I will try to add more to this article as time permits. It must be noted that while the literature of Jīva Goswāmī is highly valuable as source material, many of the terms used involve special language which is best interpreted with the help of a living spiritual guide or guru. The guru’s guidance is indispensable for understanding the true nature of bhakti. Since much has been lost through the ravages of time and language is often misunderstood especially in translation book-reading is no substitute for the help of a realized spiritual guide or guru. The online references above are merely that: references and cannot be definitive unless read with the help of a teacher who will help us separate the evolution of theological doctrine from the time of Jīva Goswāmī from proper daily practice in our own personal devotional life. A link: http://www.krishnapath.org/Library/Goswami-books/Jiva/Jiva_Goswami_Sri_Priti_Sandarbha.pdf
I hope readers find this information edifying.

Saturday, December 16, 2017

Peace and Love

Hare Krishna vs. Hippie Death Cults



I’m working on a novel based in the 1960s. It was a volatile time. I’m trying to reconstruct the era from memory, but sometimes research is needed. Looking back on that time perhaps no one captured it better than Joan Didion. Didion is arguably the best writer of her time. She wrote a book of essays called “Slouching Towards Bethlehem. It’s a classic and assigned reading in any writing course. Didion is a “writer’s writer.” Slouching Towards Bethlehem documents a few days in the Summer of Love of 1967 and does a great job.

And yet...
Didion, while a product of both California and the Deep South is a quintessentially “New Yorker” writer. She has the East Coast snide attitude towards all things California. And it is through this lens of polished cynicism that we are made to view the “Summer of Love.”

Included in her collection of essays is a brief story about one of the members of the so-called “Manson family.”
Didion’s acceptance in the canon of great writers means her “take” on the Summer of Love is the one that is canonized as conventional wisdom. And so it is that hippies are forever welded in the American psyche not as flower children, but as the children of the Manson family.
The Manson "family"
The conventional wisdom holds that the hippies were co-opted by hard drugs and cynical hustlers; the innocence of 1967s “Summer of Love” was lost after the 1968 killing of Martin Luther King and Bobby Kennedy. The Woodstock Nation was a dream that died at Altamont, when the Rolling Stones celebrated nihilism and “Sympathy for the Devil” as the Hell’s Angels beat a man to death. Charles Manson’s hippie death cult was the final nail in the coffin of peace and love.
"Hippies?"
Charles Manson died a couple of weeks ago. The mainstream media trotted out the trite old memes, just as I have repeated them, chapter and verse. These memes were repeated in the echo chambers of blogs and twitter pages until anyone who paid attention had got the message, the received wisdom.
I mention this, because I am a member of an alternative religion. I believe in Krishna and like to chant the holy name. It is odd that my spiritual teacher, Swami Prabhupad, had nothing to do with the so-called hippies. And yet, since a few famous hippies liked him, the Hare Krishna movement has somehow been associated with the hippies.
The most prominent hippie to endorse the Hare Krishna movement was, of course, the poet Allen Ginsberg. Ginsberg was a Beat Poet, not a hippie. But even before his opposition to the Vietnam War, He was branded a subversive and his poetry censored as obscene. Ginsberg found refuge in the holy name of Krishna. He met Prabhupada in New York.
He liked him and tried to help his Hare Krishna movement. When Prabhupada visited San Francisco in 1967, Ginsberg arranged for him to speak at a concert event at the Avalon Ballroom. Prabhupada preached Krishna consciousness during the intermission of a Rock concert there which featured the Grateful Dead.




Didion’s book mentions all this and ties together in the public mind the chanting of the Hare Krishna mantra and the hippie movement of the Summer of Love. Since the followers of Prabhupada had the temerity to preach the Hare Krishna mantra to Christians the public was alarmed. “Hare Krishna Hippie Death Cult” was a perfect newspaper headline. Of course there was no such thing as a Hippie Death Cult, much less a Hare Krishna one. But then along came Charles Manson. His drug-crazed “hippie” followers murdered a family in cold blood not far from where I lived in Hollywood.
The publicity surrounding the case seemed to prove what God-fearing Christian America wanted to hear: Hippies were not innocent flower-children. Hippies were drug-crazed murderers and cult members. The worst of these were certainly the Hare Krishnas, who shaved their heads and paraded around chanting weird mantras and pounding on drums as they worked themselves into a state of ecstasy.
Never mind that Charles Manson was a Christian. Working at Guardian of Devotion Press years after Manson was imprisoned I received a letter from a prisoner who had read one of our publications, The Search for Śrī Kṛṣṇa by Śrīdhar Mahārāja. It was from a prisoner on Death Row, who lived in the same cell block as Charles Manson. He thanked us for the book which he had found in the prison library. It gave him much inspiration he wrote, asking if we had any other publications. I sent him a catalogue but never received a reply. Some time later I saw an article in the newspaper. Charles Manson had been attacked by a fellow prisoner. It seems that he had prohibited another man from practicing his religion and chanting Hare Krishna. There was a fight and Manson had been injured. That Charles Manson himself hated the Hare Krishna devotees, however, doesn’t matter. Hippies are hippies. Manson was the “leader” of the hippies. The Hare Krishnas were hippies. Therefore Hare Krishnas are part of the whole hippie death cult thing. Case closed.
Later on in the 1970s there was the strange case of Jim Jones, a self-proclaimed prophet. He had convinced his cult members to follow him to Guyana where he had established his own community, Jonestown. Convinced that the end of the world had come he had his followers drink poisoned Koolaid in a mass suicide pact.
Soon after this, the Hare Krishnas were again attacked for being a “death cult.” It doesn’t matter that all these death cults were Christian. Never mind that Krishna Consciousness is a form of Vaishnavism, practiced for thousands of years in India and other parts of Asia as far away as Thailand and Cambodia.
I can’t really hold Joan Didion responsible. She was merely another cynical writer trying to impress her readers with some strange and salacious material. Manson himself never told anyone to chant Hare Krishna. But it doesn’t matter. Propaganda is powerful. Chess champion and social critic Gary Kasparov has said: "The point of modern propaganda isn't only to misinform or push an agenda. It is to exhaust your critical thinking, to annihilate truth."
Hannah Arendt, writing in the Origins of Totalitarianism, observes:  “The ideal subject of totalitarian rules is not the convinced Nazi or the dedicated communist, but people for whom the distinction between fact and fiction, true and false, no longer exists.”
The purpose of propaganda is not to convince or persuade. Argument meant to persuade is logical. Propaganda exists to crush one’s capacity for critical thinking. Propaganda blurs the line between right and wrong to the point where we can no longer distinguish good and bad. We accept the invented “enemy” as the cause of our troubles. If Hitler blamed Germany’s problems on the Jews, Nixon had “dissidents, communist agitators and hippie death cults.” Nixon has since been rehabilitated, but it is prudent to remember he kept a black list of enemies and that John Lennon was on his “enemies list.”
I’m glad Charles Manson is gone. I hope he rots in hell. But I’m also impressed at how memes are created, turned into “history” and used as propaganda.
I’m not trying to advocate for the “hippies,” either. But I do remember that Woodstock Nation, for a brief shining moment gave us a glimpse at the idea that we could all get along despite our differences. I still believe that we can have a little peace and love, and yes chant Hare Krishna and be happy.
Chant Hare Krishna and Be Happy.

Thursday, December 14, 2017

New Web Page

The Mahabharat Project has a new web page: http://mbharata.com





Wednesday, December 13, 2017

They also serve who only stand and wait.



I was recently writing on the subject of good and evil and quoted a few lines from John Milton's Paradise Lost.




Śrīla Śrīdhar Mahārāja was quite erudite and knew Milton's work.  He often quoted from Paradise Lost, especially the part where Satan expresses his rebellion in the lines:



Here at least
we shall be free; the Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reign secure, and in my choice
to reign is worth ambition though in Hell:
Better to reign in Hell, than serve in Heaven.

He knew many of the English poets. One of Śrīdhar Maharaj's favorite poems was Milton's Sonnet on his Blindness and the line: "Doth God demand day labour, light denied?"

Sometimes we wait for service. Waiting is another kind of service, as Milton says in the last line.



Sonnet 19: When I consider how my light is spent

When I consider how my light is spent, 
   Ere half my days, in this dark world and wide, 
   And that one Talent which is death to hide 
   Lodged with me useless, though my Soul more bent 
To serve therewith my Maker, and present 
   My true account, lest he returning chide; 
   “Doth God exact day-labour, light denied?” 
   I fondly ask. But patience, to prevent 
That murmur, soon replies, “God doth not need 
   Either man’s work or his own gifts; who best 
   Bear his mild yoke, they serve him best. His state 
Is Kingly. Thousands at his bidding speed 
   And post o’er Land and Ocean without rest: 
   They also serve who only stand and wait.”

Milton's reference here is to his amanuensis, his daughter. In his blindness he would write by dictating to his daughter.  His writing was his "day labour, light denied." His scribe was obliged to "stand and wait" his dictation, which depended on Milton's inspiration. But to "stand and wait" was also service.  So, some of us await patiently the opportunity to render some valuable service, but  the expectation of service is also a kind of service, according to Milton.


La Maleta

Ahora que nos acerca la temporada Navideña muchas piensan que es hora de hacer compras, de aumentar las pertenencias.

Una reflexion sobre las pertenencias.

La maleta

-Un hombre murió, al darse cuenta vio que se acercaba Dios y que llevaba una maleta consigo.
_Dios le dijo: _bien hijo es hora de irnos.
_El hombre asombrado pregunto: _Ya? Tan pronto?
Tenia muchos planes …._ lo siento pero es el momento de tu partida.
_ Que traes en la maleta? Pregunto el hombre y Dios le respondio :_ Tus pertenencias.
_ Mis pertenencias?? _Traes mis cosas, mi ropa, mi dinero?
_Dios le respondio: _ Eso nunca te pertenecio, eran de la tierra.
_Traes mis recuerdos? _Esos nunca te pertenecieron, eran del tiempo.
_Traes mis talentos? _ Esos no te pertenecieron, eran de las circunstancias.
_Traes a mis familiares y amigos?  _Lo siento, ellos nunca te pertenecieron, eran del camino.
_Traes a mi mujer y a mis hijos? _Ellos nunca te pertenecieron, eran de tu corazón.
_ Traes mi cuerpo? _Nunca te pertenecio, ese era del polvo.
_ Entonces traes mi alma? _ No! Esa era mia.
_Entonces el hombre lleno de miedo, le arrebato a Dios la maleta y al abrirla se dio cuenta que estaba vacia.
_Con una lagrima de desamparo brotando de sus ojos, el hombre dijo: Nunca tuve nada?
_Asi es, cada uno de los momentos que viviste fueron solo tuyos.
_ La vida es solo un momento…!!Un momento tuyo!!
Por eso, mientras estes a tiempo disfrutala en su totalidad.
Que nada de que crees que te pertenece te detenga…
Vive el ahora.!! _ Vive tu vida!!
No te olvides de SER FELIZ, es lo único que realmente vale la pena!
_Las cosas materiales y todo lo demás por lo que luchaste, se queda aquí.
_ NO TE LLEVAS NADA! Valora a quienes te valoran, no pierdas el tiempo con alguien que no tiene tiempo para ti.